HDR (-2, 0, +2), f/6.4, ISO 200, 16 mm, 16-35mm f/2.8L II
A high dynamic range (HDR) image of the lovely Kent oast house where the reception was held. I tend to be rather cavalier and handhold the camera for these - if you suffer delirium tremens then I'd recommend a tripod. The three exposures were combined with Photomatix Pro.
1/200, f/1.4, ISO 400, -2/3 EV, 35 mm, 35mm f/1.4L
A lovely pocket of soft window light illuminated this portrait shot. Negative exposure compensation was required to prevent overexposure of her face.
1/60, f/2.8, ISO 1250, +2/3 EV, 16 mm, 16-35mm f/2.8L II
The groom was being nicely side lit by a window. Positive exposure compensation counteracted the bright background.
1/100, f/2.8, ISO 2000, +1/3 EV, 16 mm, 16-35mm f/2.8L II
Look at the exposure settings - churches can be dark places! Being able to shoot at high ISO with low noise is such a boon.
1/125, f/2.8, ISO 800, 0 EV, 0 FEC, 16 mm, EF16-35mm f/2.8L II USM
A splash of flash illuminated their faces nicely. Softened with a Lastolite Apollo.
1/400, f/2.8, ISO 125, -2/3 EV, 16 mm, 16-35mm f/2.8L II
The groom is a farmer, hence the guard of honour!
1/160, f/2.8, ISO 125, -1/3 EV, -2/3 FEC, 16 mm, 16-35mm f/2.8L II
Little reflected light reached their faces under the shade of the lychgate so I added a kiss of flash to bring out detail. Negative flash exposure compensation was dialled in to make the use of flash subtle.
1/200, f/2.8, ISO 125, -1 EV, 35 mm, 16-35mm f/2.8L II
The bride was unaware of my presence - a true candid.
1/500, f/4, ISO 125, -1 EV, 16 mm, 16-35mm f/2.8L II
Negative exposure compensation kept a bit of detail in the sky which was enhanced in Lightroom with a 'digital' neutral graduated density filter.
1/800, f/1.2, ISO 100, -1 EV, 85 mm, EF85mm f/1.2L II
Notice the negative exposure compensation in the three shots above due to the dominant dark tones.
HDR (-2, 0, +2), f/5, ISO 400, 16 mm, 16-35mm f/2.8L II
A cheeky HDR shot. It wouldn't bear close scrutiny as many of the people shifted slightly between the exposures but it captures detail in both the shadowy foreground and bright sky.
1/640, f/2.8, ISO 400, 0 EV, 16 mm, 16-35mm f/2.8L II
I needed a fast shutter speed here to counter camera shake from my laughing. A bit of digital post-production darkened the sky.
1/200, f/4, ISO 800, -2/3 EV, 35 mm, 16-35mm f/2.8L II
Digital fig-leaves enabled me to show this photo online. Perhaps I should save it as a Photoshop Action?
Please feel free to contact me with any questions.
My website: Kent wedding photographers
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