1/320, f/2.8, ISO 200, -4/3 EV, 85 mm, 85mm f/1.2L II
Exposure compensation (EC) is required since the image is predominantly dark-toned.
1/60, f/3.2, ISO 1600, 0 EV, 16 mm, 16-35mm f/2.8L II
The quality of light in the ceremony room was poor, with multiple light sources of different colour temperatures introducing a range of colour casts. The quantity of light was also low, apart from a small window letting in strong daylight.
1/60, f/3.2, ISO 1600, 0 EV, 0 FEC, 30 mm, 16-35mm f/2.8L II
I used flash for some of the shots during the ceremony, which is something I rarely do, to get a good light source directly onto their faces.
1/320, f/2.2, ISO 400, -2/3 EV, 85 mm, 85mm f/1.2L II
Unfortunately, it started to rain after the ceremony but I was able to grab this nice candid as the rain drops started to descend.
1/500, f/2.5, ISO 200, -1 EV, 85 mm, 85mm f/1.2L II
Tina and Michael are ex-Army so rain wasn't going to put them off - out with the brollies! The best man kindly held an umbrella over me and my kit.
1/1000, f/1.2, ISO 100, -4/3 EV, 85 mm, 85mm f/1.2L II
Again, notice the negative EC. If I'd let the camera set the exposure a lot of Tina's dress (which had an iridiscent sheen ie highly reflective) would have been overexposed.
1/200, f/2, ISO 200, -1/3 EV, 85 mm, 85mm f/1.2L II
Less EC required here due to the bright background.
1/1250, f/1.2, ISO 100, -5/3 EV, 85 mm, 85mm f/1.2L II
Look at the EC on this one. I started with only -1 and could see highlights being blown.
1/125, f/2.8, ISO 1600, -1/3 EV, 20 mm, 16-35mm f/2.8L II
Ideally I'd have used a kiss of flash with this one but the car's ceiling was so low I couldn't squeeze in with my flash kit! If there'd been more time I would have popped an ST-E2 on the camera and held the flash in the other hand.
1/100, f/2.8, ISO 1600, 0 EV, 0 FEC, 16 mm, 16-35mm f/2.8L II
I'm sure a lot of purists would point out that their feet are cropped off in this shot. I didn't have the space to keep them in frame for all the shots that I took - for the one above I was stuck in the corner of the room. I got plenty of shots with them and all their limbs intact, but I decided to include this one because I really loved the expression on Tina's face. I always favour the emotional content of a shot rather than those that follow the 'rules'. They are, after all, guidelines not tramlines!
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