1/200, f/2.8, ISO 100, -2/3 EV, 100 mm, 70-200mm f/2.8L IS
These boys should get themselves agents. Note the negative exposure compensation (EC).
1/2500, f/1.2, ISO 160, -1 EV, 85 mm, 85mm f/1.2L II
1/160, f/1.4, ISO 1000, -2/3 EV, 35 mm, 35mm f/1.4L
Always worth making sure that everything is secured. Every bride likes to make a memorable entrance but there are limits.
1/1000, f/5.6, ISO 400, -1 EV, 16 mm, 16-35mm f/2.8L II
An HDR-like apprearance but a single shot with the sky darkened, and foreground lightened, in Lightroom.
1/320, f/2.8, ISO 100, -1/3 EV, 16 mm, 16-35mm f/2.8L II
1/2500, f/1.4, ISO 100, -2/3 EV, 35 mm, 35mm f/1.4L
1/1250, f/1.4, ISO 100, -2/3 EV, 35 mm, 35mm f/1.4L
1/2000, f/1.2, ISO 100, -4/3 EV, 85 mm, 85mm f/1.2L II
Over a stop of negative EC was required to expose correctly for Natalie.
1/3200, f/1.4, ISO 100, -2/3 EV, 35 mm, 35mm f/1.4L
A young pickpocket in the making!
1/1600, f/2.2, ISO 200, -1 EV, 35 mm, 35mm f/1.4L
Schoolgirls together again. Nothing to do with Austin Powers.
1/160, f/2, ISO 1600, 0 EV, -2/3 FEC, 85 mm, 85mm f/1.2L II
A kiss of flash, softened with a Lastolite Apollo. Negative FEC to keep it in check.
1/160, f/2, ISO 1600, 0 EV, -2/3 FEC, 85 mm, 85mm f/1.2L II
1/125, f/1.4, ISO 1600, +2/3, 35 mm, 35mm f/1.4L
Now some candids without flash. There was a real mix of light sources - conversion to B&W sorts this out.
1/160, f/1.4, ISO 1600, +2/3 EV, 35 mm, 35mm f/1.4L
1/100, f/1.4, ISO 1600, +2/3 EV, 35 mm, 35mm f/1.4L
1/100, f/1.4, ISO 1600, +2/3 EV, 35 mm, 35mm f/1.4L
I kept this one in colour to preserve the blue glow on the baby's face.
The shallow depth of field of the 85 f/1.2L lens is great in a busy environment.
1/160, f/2, ISO 2000, +2/3 EV, 35 mm, 35mm f/1.4L
1/500, f/1.2, ISO 2000, +1/3 EV, 85 mm, 85mm f/1.2L II
1/200, f/1.2, ISO 1600, +1/3 EV, 85 mm, 85mm f/1.2L II
The shallow depth of field of the 85 f/1.2L lens is great in a busy environment.
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